Welcome 2 My Nightmare

Alice Cooper

 
Welcome 2 My Nightmare
  Ãîä âûïóñêà  
Ñåí 13, 2011
  Ëåéáë  
Universal Music Enterprises
  Æàíð  
Pop/Rock
  Ðåéòèíã  
  Òðåêè  
  #       Íàçâàíèå       Ìîÿ îöåíêà       Âðåìÿ       Áèòðåéò       Ðàçìåð ôàéëà  
  1       I am Made of You               5:32                  
  2       Caffeine               3:24                  
  3       The Nightmare Returns               1:15                  
  4       A Runaway Train               3:51                  
  5       Last Man on Earth               3:47                  
  6       The Congregation               3:59                  
  7       I'll Bite Your Face Off               4:25                  
  8       Disco Bloodbath Boogie Fever               3:36                  
  9       Ghouls Gone Wild               2:33                  
  10       Something to Remember Me By               3:16                  
  11       When Hell Comes Home               4:30                  
  12       What Baby Wants               3:43                  
  13       I Gotta Get Outta Here               4:20                  
  14       The Underture               4:38                  
  15       Flatline               0:00                  

  Àâòîð îáçîðà: Stephen Thomas Erlewine  

Alice Cooper may not have had a hit single in two decades but he’s hardly kept quiet during the two decades that separate 1991’s Hey Stoopid and 2011’s Welcome 2 My Nightmare. In addition to his quite good syndicated radio show he’s regularly recorded new records, some getting positive notice, some sinking into obscurity, but none have had quite the high profile of Welcome 2 My Nightmare, an explicit sequel to 1975’s Welcome to My Nightmare that re-teams Alice with producer Bob Ezrin along with such Alice Cooper band veterans as Dick Wagner, Steve Hunter, Dennis Dunaway, and Neal Smith. Given these blasts from the past, it would seem that Welcome 2 My Nightmare would be a throwback to the ‘70s, but one of the great unspoken things about Alice Cooper is that he always makes records that sound like their time and this is no exception, with Ezrin pumping Alice through enough Auto-Tune to compete with Kesha, who happens to be brought in for a duet on the metallic bubblegum “What Baby Wants.” Kesha isn’t the only Äàëåå...

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